In Latin America, No Way Home became the all-time highest-grossing film in Mexico ( $75 million), and the second all-time highest in Brazil ( $55 million), Central America ( $12.6 million) and Ecuador ( $7.9 million).

Also, is the third film to surpass the $800 million mark in North America.

Spider-Man: No Way Home became the 48th film to gross $1 billion worldwide, the first film to do so since the beginning of the COVID-19 pandemic, the first since 2019's Star Wars: The Rise of Skywalker, and became Sony's highest-grossing film of all time, surpassing Spider-Man: Far From Home.

Additionally, the MCU became the first film franchise to have ten films gross over $1 billion with the release of Spider-Man: No Way Home.

The Marvel Cinematic Universe became the first film franchise to gross $23 billion, $24 billion, and $25 billion with the releases of Black Widow, Shang-Chi and the Legend of the Ten Rings, Eternals, and Spider-Man: No Way Home.

In the United States and Canada, theaters earned an estimated $4.55 billion throughout 2021, a statistic 100% higher than 2020's $2.28 billion and 60% lower than 2019's $11.4 billion.

China was the highest-grossing country of 2021 with $7.3 billion.

Worldwide, the global box office ended the year at $21.4 billion, a figure 78% higher than 2020.

^ Excludes grosses from subsequent re-releases.

On the other, an online release usually registers as a nonevent, and many of the great movies hardly make a blip on the mediascape despite being more accessible than ever.' Highest-grossing films

On the one hand, a streaming release is a wide release, happily accessible to all (or to all subscribers).

The shift toward streaming was already under way when the pandemic struck, and as the trend has accelerated it’s had a paradoxical effect on movies. The French Dispatch has done respectably in wide release, and Licorice Pizza is doing superbly on four screens in New York and Los Angeles, but few, if any, of the year’s best films are likely to reach high on the box-office charts. The biggest successes, as usual, have been superhero and franchise films.

The reopening of theatres has brought many great movies-some of which were postponed from last year-to the big screen, but fewer people to see them. In his article highlighting the best movies of 2021, Richard Brody of The New Yorker said, 'From an artistic perspective, 2021 has been an excellent cinematic vintage, yet the bounty is shadowed by an air of doom.

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